Friday, 24 May 2013

On a Roll



Just finished these pj pants - it took me about a day from tracing the pattern pieces to finishing the hems. I'm getting much quicker!

I've not made trousers before so this is another first. I was surprised at how easy they were and I'll certainly be making more. These were from the cropped wide-leg pant pattern in Simple Modern Sewing and I'm inspired to try the long belted-pant pattern now - perhaps in linen?

But, for now, I've bought some denim to make a dress next...

Tuesday, 21 May 2013

Out of Office


I'm on leave this week so I've finally got some time to get on with my crafting projects. Spent yesterday afternoon and this morning sewing this smock top. I cut the pieces out weeks ago but just haven't had a decent run of time to make it until now.

It was a bit fiddly but I really took my time and made the effort to tack it all together before letting loose on the machine - and I'm really glad that I did. It probably saved me time because I didn't have to use the seam-ripper once! This is the first time I've set in sleeves and I'm very pleased with their neatness.

The neckline required some finessing though - the gathered bit was much longer than it should have been so I had to gently pleat it into place before inserting the elastic.

It's a lovely soft fabric and I think I'm going to enjoy wearing it.

Friday, 26 April 2013

Modern Life


I'm just coming to the end of a really busy period at work and I've realised I haven't had time to blog about these exhibitions that we've visited recently.

Firstly, we went to see Metropolis: Reflections on the Modern City at Birmingham Museum and Art Gallery at the beginning of April.



Then a couple of weeks ago we went down to London to see Lichtenstein: A Retrospective at Tate Modern and Manet: Portraying Life at the Royal Academy.
It struck me that even though each exhibition represents a very specific era, there are a lot of parallels between the kind of 'contemporary' urban life that is portrayed in all of the works on display. Consumerism and popular culture mingle with 'art' throughout; the simultaneously beautiful and seedy of modern life.

The order in which we visited them meant that we slowly slipped into the past - from the twenty-first via the mid-twentieth into the nineteeth century. It's interesting that 'modern life' has been with us for at least a hundred years...  

Friday, 12 April 2013

WIPs



 
 

I haven't been blogging for a while, but I have been busy. I've cut out the pieces to make another top from the Japanese sewing book, Simple Modern Sewing...


... and I'm knitting a reverse stocking-stitch stripey cardigan entirely from leftover odd balls...


... and I've been sketching Ellie in preparation for an attempt to paint her portrait.

Monday, 1 April 2013

A Happy Birthday


As a birthday treat on Saturday night, I got taken to see eels play live. It was 'wonderful, glorious'; a really happy night and a brilliant gig.  


'E', you're tremendous - gimme a hug! 

Wednesday, 27 March 2013

Things are Looking Up

I'm currently reading Paul Auster's Winter Journal, which seems particularly fitting as this winter is refusing to go away. So much about Auster's writing resonates with me – I find his work to be full of tenderness and humanity. His autobiographical writing particularly touches me and when we heard him speak about his work and read from Winter Journal at the Cheltenham Literature Festival last autumn, I was pleased to see that the man is as warm-hearted as his writing. He has chosen to write this memoir in the second person, which has the effect of excluding the audience as he seems to address only himself while simultaneously being the voice of everyone; it is intimate and open-armed.



After the show, Dad and I raced around to the book signing and managed to get our own signed copies. But when it finally came to meeting my literary hero, I found myself completely dumbstruck and could only beam at him. Yet, I feel that a connection was made; at least, he grinned back.


I came across this passage in Winter Journal yesterday, which again made me feel a connection with Auster. It is a segment in which he describes the physical sensations of living an ordinary life:

'feeling the different sensations of walking on wooden floors, cement floors, tile floors, and stone floors, the different sensations of putting your feet on sand, dirt, and grass, but most of all the sensation of sidewalks, for that is how you see yourself whenever you stop to think about who you are: a man who walks, a man who has spent his life walking through city streets' (Auster, 2012, p. 59).

I too think of myself as someone who walks, someone who has spent my life walking through city streets. It's my default mode of transport, as easy as breathing, free and reliable.

However, recently it has been observed that when I walk I always look down. I like to think that this is for practical reasons – to keep an eye on where I'm going, to avoid uncovered manholes, banana skins. Looking down has other advantages too - like spying these crocuses peeping out from the snow. Or these footprints of man, dog and child.

But my walking partner tells me that I'm missing out by focussing on the pavement. So I've started to look up and pay more attention to the world around me when I'm out walking.

Looking up this week I've noticed how the old and the new combine in very pleasing ways in the City Centre as Queen Victoria looks down at the Iron Man.

 














And I spotted this pair of pigeons snuggling up together in the branches just outside our house as the icy wind continues to blow us through March.