Friday, 26 April 2013

Modern Life


I'm just coming to the end of a really busy period at work and I've realised I haven't had time to blog about these exhibitions that we've visited recently.

Firstly, we went to see Metropolis: Reflections on the Modern City at Birmingham Museum and Art Gallery at the beginning of April.



Then a couple of weeks ago we went down to London to see Lichtenstein: A Retrospective at Tate Modern and Manet: Portraying Life at the Royal Academy.
It struck me that even though each exhibition represents a very specific era, there are a lot of parallels between the kind of 'contemporary' urban life that is portrayed in all of the works on display. Consumerism and popular culture mingle with 'art' throughout; the simultaneously beautiful and seedy of modern life.

The order in which we visited them meant that we slowly slipped into the past - from the twenty-first via the mid-twentieth into the nineteeth century. It's interesting that 'modern life' has been with us for at least a hundred years...  

Friday, 12 April 2013

WIPs



 
 

I haven't been blogging for a while, but I have been busy. I've cut out the pieces to make another top from the Japanese sewing book, Simple Modern Sewing...


... and I'm knitting a reverse stocking-stitch stripey cardigan entirely from leftover odd balls...


... and I've been sketching Ellie in preparation for an attempt to paint her portrait.

Monday, 1 April 2013

A Happy Birthday


As a birthday treat on Saturday night, I got taken to see eels play live. It was 'wonderful, glorious'; a really happy night and a brilliant gig.  


'E', you're tremendous - gimme a hug! 

Wednesday, 27 March 2013

Things are Looking Up

I'm currently reading Paul Auster's Winter Journal, which seems particularly fitting as this winter is refusing to go away. So much about Auster's writing resonates with me – I find his work to be full of tenderness and humanity. His autobiographical writing particularly touches me and when we heard him speak about his work and read from Winter Journal at the Cheltenham Literature Festival last autumn, I was pleased to see that the man is as warm-hearted as his writing. He has chosen to write this memoir in the second person, which has the effect of excluding the audience as he seems to address only himself while simultaneously being the voice of everyone; it is intimate and open-armed.



After the show, Dad and I raced around to the book signing and managed to get our own signed copies. But when it finally came to meeting my literary hero, I found myself completely dumbstruck and could only beam at him. Yet, I feel that a connection was made; at least, he grinned back.


I came across this passage in Winter Journal yesterday, which again made me feel a connection with Auster. It is a segment in which he describes the physical sensations of living an ordinary life:

'feeling the different sensations of walking on wooden floors, cement floors, tile floors, and stone floors, the different sensations of putting your feet on sand, dirt, and grass, but most of all the sensation of sidewalks, for that is how you see yourself whenever you stop to think about who you are: a man who walks, a man who has spent his life walking through city streets' (Auster, 2012, p. 59).

I too think of myself as someone who walks, someone who has spent my life walking through city streets. It's my default mode of transport, as easy as breathing, free and reliable.

However, recently it has been observed that when I walk I always look down. I like to think that this is for practical reasons – to keep an eye on where I'm going, to avoid uncovered manholes, banana skins. Looking down has other advantages too - like spying these crocuses peeping out from the snow. Or these footprints of man, dog and child.

But my walking partner tells me that I'm missing out by focussing on the pavement. So I've started to look up and pay more attention to the world around me when I'm out walking.

Looking up this week I've noticed how the old and the new combine in very pleasing ways in the City Centre as Queen Victoria looks down at the Iron Man.

 














And I spotted this pair of pigeons snuggling up together in the branches just outside our house as the icy wind continues to blow us through March.











Friday, 22 March 2013

Hurray for Harold Lloyd

When I was young my favourite thing on TV was a half-hour clip-show of Harold Lloyd films. It was on BBC2 just before teatime and I loved it. Last night, I remembered why I was such a big fan when we went to a showing of Safety Last for the opening night of the Flatpack Film Festival.







The film was shown in the Great Western Arcade shopping centre in Birmingham which had been turned into a cinema for the evening. We had glasses of sparkling wine and chocolate truffles in the lily-filled 'foyer' beforehand and then, wrapped in blankets against the chill, watched the film with live piano accompaniment by John Sweeney.



It was fantastic - one of the most magical and entertaining cinematic experiences of my life. Harold Lloyd was a genius of physical comedy and the audience last night seemed to enjoy it as much as the original audiences in 1924 must have done. Harold had us in stitches.

And John Sweeney on the piano was wonderful - he kept time absolutely perfectly and it was easy to forget that the 'soundtrack' was live. It was a truly great night.


There's lots more on over the next ten days so be prepared for more posts from Flatpack!

Friday, 15 March 2013

Simple Modern Sewing



Just as I have finished making the first addition to my SS13 wardrobe, the weather has regressed to winter. I think it'll be a while before I'll be wearing this Liberty-print shell top.

The pattern is from a Japanese sewing book I bought recently, Simple Modern Sewing by Shufu To Seikatsu Sha, which I'm very pleased with. I've attempted sewing in the past but never really graduated beyond 'beginner' level - I've made quite a few bags and cushion covers, even a wrap skirt and a sun-top, but I've never really got beyond the basics. This book, however, might just get me into the intermediate class. It's a selection of simple patterns that form the basis of a range of garments - this top, for example, is adapted from a dress pattern. The Japanese styling is cool and cute as well.

I'm looking forward to having a go at some of the more complicated patterns - I might even learn how to insert a zip! But I won't be wearing anything from this book yet - for the time being I'm stuck with AW12.